"The Family," a record using a velvet cover, is supposed to touch with the extended family of man. Formal portraits sew the central story, that finishes as a grandfather with a baby in his arms using Carlo, and opens with the baptism of Carlo, a baby in his grandfather's lap. And never do we move outside of the house, whose rooms offer the film's structure. Comfort or passion? Before it had been too late, carlo couldn't really pick.
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"The Family," a record using a velvet cover, is supposed to touch with the extended family of man. Formal portraits sew the central story, that finishes as a grandfather with a baby in his arms using Carlo, and opens with the baptism of Carlo, a baby in his grandfather's lap. And never do we move outside of the house, whose rooms offer the film's structure. Comfort or passion? Before it had been too late, carlo couldn't really pick.
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